(RE)FOCUS FEST

APRIL 5 - 8

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THE ROTUNDA

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Volunteer!

(re)FOCUS Fest 2018 is looking for box office/ usher volunteers to help us check people in, sell tickets, and usher at the festival. One volunteer slot will get you one festival pass, so you can see all the shows in the festival (including ones that you did not specifically volunteer for).


We are looking for two people for each of the following times:

Thursday, April 5 at 6:30 (7:30 show)

Friday, April 6 at 6:30 (7:30 show)

Saturday, April 7 at 2:00 (3:00 show)

Saturday, April 7 at 6:30 (7:30 show)

Sunday, April 8 at 2:00 (3:00 show)

Sunday April 8 at 6:30 (7:30 show)


To sign up for a slot, please email info@kaleidtheatre.org with your name, email address, cell phone number, and preferred time slot.

Schedule


April 5


7:30pm

Titles are for Little Witches: The Salem Bitch Trials

Cartons of Ultrasounds

April 6


7:30pm

Voided

Publik Private

April 7


3:00pm

Voided

Publik Private


7:30pm

Titles are for Little Witches: The Salem Bitch Trials

Cartons of Ultrasounds

April 8


3:00pm

Titles are for Little Witches: The Salem Bitch Trials

Cartons of Ultrasounds


7:30pm

Voided

Publik Private

The Rotunda (Wheelchair Accessible): 4014 Walnut Street, Philadelphia, PA 19104

(re)FOCUS Fest 2018 brings together four theatre makers to explore what it means to reclaim and to celebrate diversity through shared performance.

Through poetic dialogue, immersive soundscapes, and lyrical movement, Kaleid Theatre, Pratima Agrawal, Alma's Engine, and TS Hawkins meditate on gender, race, sexuality, class, and everything in between.

(re)FOCUS Fest is a chance to (re)focus on themes that are all around us, but difficult to see, explore, and discuss. It is a celebration of our ability to confront ourselves, learn from each other, and rejoice in the myriad of experiences that make us who we are.

Kaleid Theatre TS Hawkins Pratima Agrawal Alma's Engine

Production partner:

The Rotunda

Postcard media partner:

Fireball Printing

Kaleid Theater

Titles are for Little Witches: The Salem Bitch Trials

Kaleid Theatre

The bitches are coming. Tall bitches, crazy bitches, bitchin’ bitches, frigid bitches. We hear them as their broomsticks rustle the air and their legs slap in the wind. We rush to close shutters, lock doors, and clear porn out of our search histories. Still they come for us. Rippling up through our blood, tingling up over our skin, bursting out of our own throats.

They invite us – tempt us – compel us to look at the tweets that twisted them, the hearts that sustained them, the politics that rewrote them, the families that made them. Here are the tests we devised for them, the judgements we passed out, and the way the dangling ropes could never be final.

We look at them like we look in the mirror, and fumble towards honoring ourselves. With them, we ask: what is power? Where does it live in us? How do we reclaim it?

Ensemble

Becca Khalil - Creator/Performer

Daniel Ison - Sound Designer

Kaitlin Davis - Creator/Performer

Minou Pourshariati - Creator/Performer

Rachel O’Hanlon-Rodriguez - Creator/Performer

Ro Gauger - Lighting Designer

Sarah Mitteldorf - Creator/Director

Valerie Giacobbe - Promotional Photography

CultureTrust Philadelphia Philadelphia Cultural Fund Pennsylvania Council on the Arts

Kaleid Theatre (as in kaleidoscope, as in collide) is a multiracial, physical theatre ensemble dedicated to exploring the questions that our communities are asking right now. We are interested in how language, movement, music, and sound can come together to explore questions that are not easy to talk about through one sense alone, to reflect the complexity of human experience, and to shift our lens so that we can learn new things about our world.

Kaleid Theatre is a program of CultureTrust Greater Philadelphia, a charitable 501(c)(3) organization supporting diverse cultural practices in the Philadelphia region. CultureTrust Greater Philadelphia provides a charitable home and affordable shared management resources for arts and heritage programs of diverse disciplines and cultural traditions

Support provided in part by The Pennsylvania Council on the Arts and the National Endowment for the Arts.

Pratima Agrawal

Voided

Pratima Agrawal

Voided is a solo theatre performance inspired by the true story of Kalpana Chawla, the first Indian female astronaut in space who died in the 2003 Columbia accident. Through the lens of racial representation and feminism, Pratima explores her struggle to “fit in” on her own terms as a performer in the City of Brotherly Love. What is it to exist in the world yet not exist in a community, what is it to be marginalized when seeking out unique roles or only find stereotypes, and what does it mean for our histories to become invisible after we’re gone?

Ensemble

Pratima Agrawal - Creator-Performer/Sound Designer

Sarah Mitteldorf - Creator-Director

Anula Shetty - Video/Projection Design

Ro Gauger - Lighting Designer

Asian Arts Initiative Philadelphia Asian Performing Artists

This piece was created as part of the Philadelphia Asian Performing Artists (PAPA) mini-residency program in partnership with Asian Arts Initiative (AAI).

Alma's Engine

Publik Private

Alma's Engine

A physical and poetic exploration of the inner lives of the Publik Universal Friend y la Monja Alferez and the conviction that these two unique historical figures had to their authentic genders.

Ensemble

Eppchez! - Creator/Performer

Evelyn Swift Shuker - Lighting Design

Mila Romero - Puppets

Alma’s Engine is a process focused creative ministry developing new work from the mind of Eppchez! Since 2012 Alma's Engine has released one album of original acoustic reflections "Selfrealizednation; a song cycle for the ocupation", produced three of Eppchez's original plays Junk Redemption, They Extract! and the site specific solo musical Train-ing; a one troll show, as well as an ongoing development workshop of Off-White; a cuban/jewish American's observation of their own White assimilation and complicity with systemic White Supremacy. Alma's Engine is committed to making space for the big important questions of our time, which are more comfortable to avoid.

TS Hawkins

Cartons of Ultrasounds

TS Hawkins Logo

The societal machine churns embryos, girls, and womyn, into seclusion; waterboarding their freedom and manufacturing their wombs with assembly-line legislature. Prisoners to their gender, society has become the parasitic conjoined twin of the dogmatic cycle extending life sentences of female identified invalidation. With scantily clad images, pejorative song lyrics, and abusive homes heightening the maltreatment of the female form, we teach womyn to be the missing, the raped, and the forgotten.

Ensemble

TS Hawkins - Writer

Cheyenne Barboza - Director

Iman Aaliyah - Actor

TS Hawkins is an international author, performance poet, and playwright. Her plays & shorts include: Seeking Silence (2011); Cartons of Ultrasounds (2012); Too Late to Apologize (2013), They’ll Neglect to Tell You (2015), #RM2B (2015); The Secret Life of Wonder: a prologue in G (2015 & 2016); and #SuiteReality (2017) which received a 2017 "Reality Check" Surya Bonaly Award. Her books include: Sugar Lumps & Black Eye Blues (2007); Confectionately Yours (2009); Mahogany Nectar (2010); Lil Blaek Book: all the long stories short (2011); and The Hotel Haikus (2012). Up next: 2018 Philadelphia Writer's Conference; Hawkins will be teaching a "Thriving Ain't Easy" poetry workshop. For more detailed information, visit www.tspoetics.com

Cheyenne Barboza is a local playwright and director with a great passion for fostering new works. A graduate of The University of the Arts, her credits include: Our Hands are Up (Philadelphia Young Playwrights), NIGHT (Philadelphia Young Playwrights), Secret Life of Wonder: a prologue in G (reFOCUS Fest), Trade (Inis Nua). Currently, Barboza is a fellow for the Director's Gathering (DG). Additionally, she's tickled pink to be working on another TS Hawkins creation at reFOCUS Fest!

Iman Aaliyah is an actor-poet from Baltimore, Maryland who relocated to Philadelphia, Pennsylvania to obtain her BFA in Acting at the University of the Arts graduating in May 2018. She is excited and honored to be a part of TS Hawkins' choreopoem Cartons of Ultrasounds. Iman often does staged readings around the city as well as workshops for new plays in development. Some credits include: The Fisherman and the Flounder (Fisherman's wife) at Enchantment Theatre; TJ Loves Sally 4 Ever (Pam) at PlayPenn; Cutting It (Muna) at Inis Nua reading series; Trade & Generation (Novice) at Inis Nua reading series; Really (Girlfriend understudy) at Theatre Exile; Coriolanus (Titus Lartius) at Shakespeare in Clark Park; Running Numbers (Temptation 2) at Theatre in the X; Pocatello (Isabelle) at University of the Arts. For more information, visit www.imanaaliyah.com